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WOMAN IN STRINDBERG'S PLAYS.
Term Paper ID:30614
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Essay Subject:
Background of the Swedish playwright.... More...
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5 Pages / 1125 Words
6 sources, 21 Citations,
MLA Format
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Paper Abstract: Background of the Swedish playwright. Ambivalent feelings toward his mother. Role of women in "The Father," "Miss Julie," and "The Ghost Sonata." Husband-wife battleground of "The Father." Struggle between the sexes in "Miss Julie." Society's moral and social codes. Gender wars of "The Ghost Sonata." Harsh treatment of women in the plays.
Paper Introduction: Introduction
According to Webster’s New Collegiate Dictionary, a misogynist is defined as one who has or shows a hatred and distrust of women (1981). Such is the name that many have called Johan August Strindberg. Yet, as seen in his plays and writings, his feelings towards women are much more complex than simple hatred and distrust. In some cases, Strindberg demonstrates a genuine sympathy, if only because it fits in with his worldview at that moment. This paper will discuss the role that women played in the world of August Strindberg, specifically looking at the plays “The Father,” “Miss Julie,” and “The Ghost Sonata.”
Background
Johan August Strindberg was born in Stockholm, Sweden in 1849 to a serving woman and a bankrupt gentlemen. Although he
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"A MARRIAGE PROPOSAL."
Term Paper ID:30478
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Essay Subject:
Analysis of Anton Chekhov's play.... More...
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4 Pages / 900 Words
1 sources, 5 Citations,
MLA Format
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Paper Abstract: Analysis of Anton Chechov's play. Plot of courtship of Lomov and neighbor's daughter Natalya. Importance of land and money to the characters. Reasons for their constant fighting. Depiction of the rual social system and its relationship to the characters. The play as a metaphor for marriage as a continuing battle ground.
Paper Introduction: In the short play "A Marriage Proposal," Anton Chekhov describes the odd courtship of Lomov, who seeks a marriage with his neighbor's daughter. Lomov and the woman he wants to marry fight before he can make his proposal, fight while he proposes, and fight after she agrees to marry him. They tend to fight every time they speak to one another, and while this alarms her father at first, he decides that the two just like to fight with each other. In the end, the father calls this last fight the "beginning of family happiness," though it is doubtful that a couple can fight all the time and achieve anything like bliss.
The meeting between Lomov and Tchubukov suggests one sort of neighborhood arrangement, for Tchubukov could not be friendlier and more delighted to see Lomov, happier being asked about the marriage, and more positive about Lomov's prospects.
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DRAMATIC DIFFERENCES IN TWO PLAYS.
Term Paper ID:30366
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Essay Subject:
Analysis of Ibsen's HEDDA GABLER and Pirandello's SIX CHARACTERS IN SEARCH OF AN AUTHOR.... More...
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7 Pages / 1575 Words
2 sources, 2 Citations,
APA Format
$28.00
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Paper Abstract: Analysis of Ibsen's HEDDA GABLER and Pirandello's SIX CHARACTERS IN SEARCH OF AN AUTHOR. Depictions of society and of the world. The power struggle. Destiny and manipulation. Potential and form. Struggle for social status and financial security in HEDDA GABLER. Struggle between what is real and what is not in Pirandello's play.
Paper Introduction: Ibsen's play Hedda Gabler and Pirandello's play Six Characters in Search of an Author present several profound dramatic differences. Ibsen wrote his plays while a sojourner in Italy, although he was Norwegian. Pirandello was Sicilian born and emphasized his Italian nativity through his first creative efforts. While Ibsen's themes deal a lot with the moralistic faults of modern society, Pirandello's themes of tragedy and disillusionment expose his own personal trials and tribulations. What we shall deal with here in comparing these plays, is contrasting the following items:
Hedda Gabler's realistic depiction of society, with strong class differences between aristocracy and bourgeois worlds while "Six Characters" chooses to sketch a picture of conflict between the world of
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HOW DRAMATIC CHRACTERS ARE SHAPED BY THEIR SOCIETY.
Term Paper ID:30120
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Essay Subject:
Examines behavior of female characters, all named Nora, in different plays.... More...
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8 Pages / 1800 Words
5 sources, 11 Citations,
MLA Format
$32.00
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Paper Abstract: Examines behavior of female characters, all named Nora, in diffeent plays. Conflict between their psychology & personality and the demands & strictures of their society. Plays discussed are Isben's A DOLL'S HOUSE, Sean O'Casey's THE PLOUGH AND THE STARS, John Synge's IN THE SHADOW OF THE GLEN & George Bernard Shaw's JOHN BULL'S OTHER IRELAND.
Paper Introduction: Dramatists often criticize society through the characters and situations they depict on stage. When the playwrights do so, they may approach the subject by looking through the world in which they live to what they believe the world should be. They may be writing at a turning point, an era in which social change is in the offing but which is being resisted by the dominant order. They may merely be commenting on aspects of the human condition, which persist into their age and which they see as detrimental to society. Whatever their particular situation may be, playwrights criticize society by having characters who represent some social class or ideological position and by using symbolism as well as direct statement to make the audience see something they believe to be wrong. The characters are shaped by the society in which they live and then behave in certain
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AFRICAN DRAMA.
Term Paper ID:29902
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Essay Subject:
Analysis of 2 plays by African dramaist Wole Soyinka.... More...
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6 Pages / 1350 Words
1 sources, 11 Citations,
MLA Format
$24.00
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Paper Abstract: Analysis of 2 plays by African dramatist Wole Soyinka. Discusses fusion of traditional & modern forms in "The Lion & the Jewel" and "The Trials of Brother Jero." Conflicts re: traditional culture to culture of Europe. Themes explored. Colonial experience of Africa. Community customs. Treatment of women--bride price vs. marrying for love. Clash between African traditional religion & Christianity. Power of the idea of cummunity.
Paper Introduction: All forms of drama exist in Africa today, including drama from past and present, ritual and ceremony, dance mime and modern play. These forms can be found throughout the continent where traditional drama in the villages and imported amusements in films and television are found side by side. Traditional African drama is so tightly integrated into African religion and customs that identifying "theater" as a separate entity is unrealistic. There is a wide variety of staged theater in Africa, including not only written plays but also storytelling, puppetry, and ritual drama. The plays of Wole Soyinka show how traditional forms and modern forms are fused in plays that openly compare traditional culture to the culture of Europe as introduced in the age of imperialism.
In the play "The Lion and the Jewel" by Wole Soyinka, the
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FEMALE CHARACTERS.
Term Paper ID:29235
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Essay Subject:
Analysis of their social roles.... More...
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4 Pages / 900 Words
2 sources, 4 Citations,
MLA Format
$16.00
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Paper Abstract: Analysis of their social roles. Leading character of Hedda in Henrick Ibsen's play HEDDA GABLER and of Germaine in Michel Tremblay's LES BELLES SOEURS. How both women are recognizable types in bourgeois culture. How each deals with her given role as guardian of the sanctity of the family.
Paper Introduction: This research examines the leading female characters in Ibsen’s Hedda Gabler and Tramblay’s Les Belles Soeurs. The plan is to compare and contrast the respective responses of Hedda and Germaine to the cultural mandate that women are guardians of the sanctity of the family, with a view toward showing the degree to which they adhere to or depart from the social role prescribed for them by custom and practice.
Both Hedda Gabler and Les Belles Soeurs present portraits of women who are recognizable “types” in the scheme of bourgeois culture. Although the social position of Hedda, daughter of General Gabler, is at the aristocratic end of the bourgeois social spectrum and that of Germaine, one among many working-class women in what is presumably Montreal, what the characters share is a situation of socially sanctioned confinement and a profo
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HELLENISTIC THEATRE.
Term Paper ID:29203
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Essay Subject:
Examines characteristics and historical context.... More...
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7 Pages / 1575 Words
9 sources, 17 Citations,
MLA Format
$28.00
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Paper Abstract: Examines characteristics and historical context. Discusses both the physical plant and the plays. How the playwrights and poets of the time functioned in the theatre. How the Hellenistic model influenced modern theatre. Differences between Classical and Hellenistic performance areas. Disappearance of the classical convention of the chorus. Emphasis on acting. The new comedy of manners.
Paper Introduction: This research examines the characteristics of Hellenistic theatre, including both the physical plant and the plays that appeared during the period. The research will examine the historical context in which Hellenistic theatre flourished and then discuss how the playwrights and poets functioned in the theatre, with a view toward identifying how the Hellenistic model influenced modern theatre.
The Hellenistic period of world history dates from the time Alexander the Great assumed the throne of Macedon in 336 BC until the death of Cleopatra in 30 BC. Its principal characteristic is that the territory of the Eastern Mediterranean area, from the Greek peninsula and the Balkans to Asia Minor and Persia, came under the domination of Greek culture, which was the heir of the Athenian classical tradition. Of primary artistic significance to Greek
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USE OF THEATRE FOR SOCIAL IMPROVEMENT.
Term Paper ID:28868
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Essay Subject:
Discuses methods & goals of George Bernard Shaw, Erwin Piscator, Bertolt Brecht & Antonin Artaud.... More...
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10 Pages / 2250 Words
6 sources, 25 Citations,
MLA Format
$40.00
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Paper Abstract: Discuses methods & goals of George Bernard Shaw, Erwin Piscator, Bertolt Brecht & Antonin Artaud.
Paper Introduction: Since the late nineteenth century playwrights, directors, and theorists of all kinds have very frequently considered theater as a primary means of working toward the betterment of the human race. Whether they proposed to convey important ideas or actually effect change in the audience these writers tended to hold that the theater was the proper vehicle for such efforts because it spoke, as it were, directly to the individual sitting in the audience. Feelings could be roused, arguments could be vividly presented in verbal or visual terms, and the makers of drama could work on the individual in a setting where every effect--verbal, visual, and aural--was under the theater's control. Despite sharing the notion that the theater was the optimum setting for such communication and general notions of improving humanity, the various theories of theatrical
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"LIFE IS A DREAM."
Term Paper ID:28859
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Essay Subject:
Analysis of Pedro Calderon De La Barca's drama. Central characters. Philosophy & themes of this secular play. Comparison with "Don Quijote."... More...
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11 Pages / 2475 Words
6 sources, 8 Citations,
MLA Format
$44.00
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Paper Abstract: Analysis of Pedro Calderon De La Barca's drama. Central characters. Philosophy & themes of this secular play. Comparison with "Don Quijote."
Paper Introduction: Introduction
Pedro Calderon de la Barca y Henao shows what is ephemeral in existence and, at the same time, demonstrates the divine and eternal aspects of human life in his play La Vida Es Sueno. The title of the baroque Spanish play is usually translated into English as Life is a Dream, but (like all translations) this is somewhat misleading. A more accurate rendition of Barca's intent might be a line known to children in English-speaking countries throughout time and across the world: "Life Is But a Dream." The line from the children's round of "Row, Row, Row Your Boat" and Barca's play reflect the same essential philosophy about the world, in which spiritual goodness and nobility are the only real things that one can know: Everything else that happens in life is of no true consequence and may be relied upon only as much as we
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"FIGARO'S MARRIAGE."
Term Paper ID:28760
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Essay Subject:
Analysis of Beaumarchais play; its historical controversial elements. Themes, plot, characters.... More...
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10 Pages / 2250 Words
4 sources, 17 Citations,
MLA Format
$40.00
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Paper Abstract: Analysis of Beaumarchais play; its historical controversial elements. Themes, plot, characters.
Paper Introduction: Beaumarchais' play Figaro's Marriage was very controversial, and was banned by Louis XVI for three years, because it looked at class differences in a new, perhaps revolutionary way. The plot involves an aristocrat, Count Almaviva, who is tricked by his valet, Figaro, who is shown to be a better man than his master in almost every way. The play questioned the value of noble birth, praised self-determination, raised questions about sexuality and desire, and generally looked at the social order in a new and liberal fashion. In an even more interesting way, however, the play also seems to open up the world to women who, once the opportunity is presented, turn from being relatively passive, and limited to their own private spaces, to the active pursuit of their own interests in public.
Beaumarchais was not a revolutionary in the sense of
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2 SPANISH DRAMAS.
Term Paper ID:28624
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Essay Subject:
Compares the theme of honor in Lope de Vega's "Fuente Ovejuna" & in Tirso de Molina's "The Trickster of Seville." Common characteristics & differences.... More...
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5 Pages / 1125 Words
1 sources, 16 Citations,
MLA Format
$20.00
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Paper Abstract: Compares the theme of honor in Lope de Vega's "Fuente Ovejuna" & in Tirso de Molina's "The Trickster of Seville." Common characteristics & differences.
Paper Introduction: The theme of honor lies at the heart of Lope de Vega’s “Fuente Ovejuna” and Tirso de Molina’s “The Trickster of Seville.” In fact, the chief protagonists of the two plays, Commendador Fernan Gomez and Don Juan possess the common sin of dishonoring young women. While they are considered “honorable” in aristocratic circles because of their fighting prowess or their ranking, they both abuse the high esteem or the honor generally associated with their titles. However, the issue of honor does not only involve men in aristocratic circles. For a woman, honor is associated with guarding her virginity. Yet, the connotation of the word “honor” also refers to the integrity of character of every individual regardless of gender or position. The comparison of these two plays will illuminate the complete definition of the word “honor.”
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GREEK TRAGEDY & NOH DRAMA.
Term Paper ID:28602
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Essay Subject:
Compares the 2 theatrical tralditions. Background of each, incl. Aristotle's theories on drama & influence of Zeami on the Noh repertory.... More...
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10 Pages / 2250 Words
7 sources, 34 Citations,
MLA Format
$40.00
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Paper Abstract: Compares the 2 theatrical tralditions. Background of each, incl. Aristotle's theories on drama & influence of Zeami on the Noh repertory.
Paper Introduction: Greek tragedy and Japanese Noh drama offer interesting points of comparison. Although they are separated by nearly two millennia, by thousands of miles, and by cultural differences too numerous to mention both were theatrical traditions involving masked performers, the frequent use of music and dancing, on-stage choruses, and historic-mythological themes and stories drawn from traditions with which the audiences possessed some familiarity. Both theatrical traditions had important spokesmen and the perpetuation of the traditions, as well as later centuries' understanding of them, depended in large part on Aristotle's Poetics and Zeami's essays on Noh drama. But the two writer's approaches indicate the principal difference in the two traditions as well. Aristotle, as a thinker rather than a playwright or actor, contributed to the transformation of Greek
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"THE FATHER."
Term Paper ID:28296
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Essay Subject:
Themes in August Strindberg's late 19th century play of marital discord. Role of chilldren in marriage.... More...
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10 Pages / 2250 Words
1 sources, 8 Citations,
MLA Format
$40.00
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Paper Abstract: Themes in August Strindberg's late 19th century play of marital discord. Role of chilldren in marriage.
Paper Introduction: This study will discuss the themes of August Strindberg's play The Father from a philosophical point of view, focusing on the significance and meaning of those themes for both the original audience and today's audience. The narrow theme of the play is the doubt that men may have about their own role in the origins of their children--i.e., can a man ever be certain that he is the biological father of his child or children? In broader terms, however, the theme is the war which exists between the sexes, especially in a marriage and particularly in a marriage with children.
The theme of marital discord is certainly not a new one, although Strindberg makes it utterly fresh in this play with his unique characterization of the marital couple, the Captain and Laura.
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"THE MAID."
Term Paper ID:28215
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Essay Subject:
Examines Jean Genet's play in terms of "theatre of cruelty" proposed by Antonin Artaud.... More...
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7 Pages / 1575 Words
3 sources, 20 Citations,
MLA Format
$28.00
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Paper Abstract: Examines Jean Genet's play in terms of "theatre of cruelty" proposed by Antonin Artaud.
Paper Introduction: In The Theatre and Its Double Antonin Artaud proposed a 'theater of cruelty' in which "violent physical images pulverise, mesmerise the audience's sensibility, caught in the drama as if in a vortex of higher forces" (63). He held that a new kind of play was needed, one that would depart from the standard word-based, dialogue-bound plays that had dominated Western theater for many centuries. In place of this type of play Artaud suggested a theater in which the specifically theatrical elements of a play's presentation--visual, aural, spatial, as opposed to mere lines of dialogue--be given the primary role. He held that incantation, ritual, exaggeration and fresh combinations of effects would provide the surprise and shock that would generate a visceral reaction in audiences for whom the spectacle would be meaningful as traditional plays no longer were. Artaud seldom
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"HEDDA GABLER" (HENRIK IBSEN) & "THE SEA GULL" (ANTON CHEKHOV).
Term Paper ID:26898
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Essay Subject:
Examines two plays' characters & themes as reflections of societies in which they live.... More...
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5 Pages / 1125 Words
2 sources, 6 Citations,
MLA Format
$20.00
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Paper Abstract: Examines two plays' characters & themes as reflections of societies in which they live.
Paper Introduction: Ibsen's characters are clearly products of the society in which they live. The plays of Henrik Ibsen have a strong social content, indicating the views of the playwright on some matters, and more directly showing the way different social issues were developing in the society of his time and the way those issues were in turn shaping that society. He wrote about women's rights, the plight of "whistleblowers," the meaning of social responsibility, the effects of corruption. Ibsen's views and his challenging dramatic methods made him something of a social outcast even as he was becoming one of the world's major playwrights, a voice that would speak to subsequent generations perhaps even more strongly than he did to his own. In Hedda Gabler, several of these themes come together, notably the place of women in society, the meaning of social responsibility, and
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"UBU ROI" (DIRECTED BY ANTONIN ARTAUD).
Term Paper ID:26804
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Essay Subject:
Examines Artaud's interpretation of Alfred Jarry's play, focusing on the "theater of cruelty" & ideas of Jerzy Grotowski.... More...
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4 Pages / 900 Words
3 sources, 13 Citations,
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Paper Abstract: Examines Artaud's interpretation of Alfred Jarry's play, focusing on the "theater of cruelty" & ideas of Jerzy Grotowski.
Paper Introduction: Antonin Artaud's theater of cruelty techniques are springboards for the director's imagination. His theories, based in part on Cambodian and Balinese dance, extol a form of "total theater," where visual images, gesture, light, sound, and noise take precedence over the written or spoken word. This potent combination is used to disturb the subconscious of the audience and kindle their imaginations. These images are often shocking, but as Artaud explains, "We are not free, and the sky can still fall on our heads; and the theater exists to remind us of this fact" (Artaud 79).
Alfred Jarry's King Ubu displays "the spirit of profound anarchy which is the root of all poetry" (Artaud 42), and this can be seen in Act IV of the play as Pa Ubu states,
We'll stay on top of this hill and we'll not be so
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"SIX CHARACTERS IN SEARCH AS AN AUTHOR" (LUIGI PIRANDELLO).
Term Paper ID:26788
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Essay Subject:
Analyzes play's political influences & themes (focusing on fascism), technique, non-realism, appearance vs. reality.... More...
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10 Pages / 2250 Words
10 sources, 18 Citations,
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Paper Abstract: Analyzes play's political influences & themes (focusing on fascism), technique, non-realism, appearance vs. reality.
Paper Introduction: An overtly non-realistic portrayal of society is offered in a play by Luigi Pirandello, yet this is also a play with a political analysis at its heart. Appearance versus reality is a theme that infuses Pirandello's play Six Characters in Search of an Author. The technique used by the playwright is extremely theatrical and has a long history--the play-within-a-play was used often by Shakespeare and can be found in the works of other major dramatists. The playwright often uses such a device to comment on the process of playwriting itself, showing within a performance of a play the act of creating and presenting some vision of reality in dramatic form. Pirandello's work makes this self-reflective structure the basic substance of the play and uses it to raise questions as to how we can tell when reality ends and illusion begins, or the other way round. The selfhood
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"THE ROAD TO MECCA" (ATHOL FUGARD).
Term Paper ID:26756
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Essay Subject:
Uses character of Miss Helen to examine biopsychosocial issues which are part of the aging process in women & role of the social worker in that process.... More...
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12 Pages / 2700 Words
9 sources, 19 Citations,
APA Format
$48.00
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Paper Abstract: Uses character of Miss Helen to examine biopsychosocial issues which are part of the aging process in women & role of the social worker in that process.
Paper Introduction: This paper uses the character of Miss Helen in Athol Fugard's moving play, The Road to Mecca, to examine many of the biopsychosocial systems and issues that are part of the aging process in women. The individual grows, develops, and ages within the wider environment of the surrounding community. This extended system limits, influences, and affects the ways in which its members grow up and grow old, and Miss Helen provides an especially intriguing case study of this process at work. Many of the issues raised by her case are useful in understanding the social worker's role in analyzing and designing a plan for care for older, widowed women in the community. Her case also suggests some of the kinds of clues that the caring, perceptive social worker might look for in studying and serving older individuals.
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"THE VISIT" (FRIEDRICH DUERRENMATT) & "THE MAN WITH THE FLOWER IN HIS MOUTH" (LUIGI PIRANDELLO).
Term Paper ID:26697
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Essay Subject:
Examines two plays' allegorical treatment of death.... More...
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5 Pages / 1125 Words
2 sources, 12 Citations,
MLA Format
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Paper Abstract: Examines two plays' allegorical treatment of death.
Paper Introduction: Friedrich Duerrenmatt's The Visit and Luigi Pirandello's The Man with the Flower in His Mouth are allegorical plays in which certain characters confront death. The human, allegorical figure of death is, in both plays, a female character. In Pirandello's short piece she is the wife of a terminally ill man who follows him everywhere, but does not speak. In The Visit death comes in the form of Claire Zachanassian, the multimillionaire who returns to her hometown looking for revenge--or justice--for the sufferings she went through as a girl. In this play death takes a very active role. Zachanassian identifies her victim and seduces the town into killing him by corrupting them with promises of badly needed money. She even manages to persuade her victim to accept his death rather than fleeing it. In Pirandello's play, however, the victim is suffering from a
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"BLOOD WEDDING" (FEDERICO GARCIA LORCA).
Term Paper ID:26438
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Essay Subject:
Examines play's themes, characters, messages, morality, structure, tragic irony, subjective vs. objective values & perceptions.... More...
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11 Pages / 2475 Words
4 sources, 15 Citations,
MLA Format
$44.00
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Paper Abstract: Examines play's themes, characters, messages, morality, structure, tragic irony, subjective vs. objective values & perceptions.
Paper Introduction: The purpose of this research is to examine the play Blood Wedding by Federico Garcia Lorca. The plan of the research will be to set forth the thematic pattern of ideas and meanings contained in the work and then to discuss the means by which these ideas are elaborated, with a view toward evaluating why the full effect of the presentation is one of high tragedy and the existence of a major work of world literature.
The themes of Blood Wedding emerge out of a structure of human consciousness that carries the burden of remembered conflict, remembered injury, remembered grief. Grief and loss, indeed, so dominate the Mother's consciousness that there is a tension in her anticipation of her son's wedding. So simple a gesture as giving him his vineyard knife calls to her mind the murders of her husband, long ago, and her other son, more recen
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"M. BUTTERFLY" (DAVID HENRY HWANG).
Term Paper ID:25537
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Essay Subject:
Play's characters, plot, themes, focusing on influence of Puccini's opera [Madame Butterfly].... More...
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5 Pages / 1125 Words
1 sources, 9 Citations,
APA Format
$20.00
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Paper Abstract: Play's characters, plot, themes, focusing on influence of Puccini's opera [Madame Butterfly].
Paper Introduction: In the play M. Butterfly by David Henry Hwang, the action derives from a true story about a French diplomat who had a long-term affair with a Chinese singer, presumably thinking this was a woman when in fact it was a man. The story was also a spy story as the "woman" acquires secrets from her diplomat-lover for her government. The title of the play intentionally evokes images both of Puccini's opera Madame Butterfly and what in French would be seen as "Monsieur" Butterfly. The opera embodies a certain Western attitude toward Asian women and toward Asians in general, and Hwang's play uses those ideas as something against which to balance his own drama as he deconstructs certain ideas from the opera and creates a different sense of operatic reality. Within this operatic universe, Gallimard's complacent Western stereotyping of Asians
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"MACBETH" (SHAKESPEARE), "DOCTOR FAUSTUS" (CHRISTOPHER MARLOWE) & "PRODIGIOUS MAGICIAN" (CALDERON DE LA BARCA).
Term Paper ID:25230
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Essay Subject:
Compares tragedies' depictions of evil & personal responsibility.... More...
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5 Pages / 1125 Words
3 sources, 3 Citations,
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$20.00
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Paper Abstract: Compares tragedies' depictions of evil & personal responsibility.
Paper Introduction: Visions of evil operating in this world serve as the subject mater for the dramatist, especially in an era when good and evil were seen more clearly as battling for the human soul directly, often personified as angel and devil. In the Elizabethan era, William Shakespeare in Macbeth and Christopher Marlowe in Doctor Faustus in England explored these issues in different ways, though each saw evil as manifest and physical as well as sometimes supernatural. In Spain, Calderón de la Barca a few years later similarly expressed the palpable nature of evil in human life in his El mágico prodigioso. The Marlowe and Calderón works are both based on the Faust legend, while Shakespeare's play is based on a historical individual reported in Raphael Holinshed's Chronicles, though Shakespeare took many liberties with history as Holinshed presented it. The historical Macbeth
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CLASS CONFLICT IN CHEKHOV.
Term Paper ID:25105
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Essay Subject:
Examines author's humanistic, non-ideological approach to socioeconomic issues in his short stories.... More...
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8 Pages / 1800 Words
8 sources, 11 Citations,
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Paper Abstract: Examines author's humanistic, non-ideological approach to socioeconomic issues in his short stories.
Paper Introduction: In a number of Anton Chekhov's short stories, he addresses the roles which class plays in personal and social interaction. This study will examine class as a theme in Chekhov's short fiction, focusing on its dehumanizing effects on both the poor and weak and the rich and powerful.
In general, Chekhov does not present political, social or ideological arguments in his stories, but instead uses class as a fact of life which shapes, or misshapes, individual characters and human relationships. As Kirk writes in her analysis of "The Peasants," the story "is not so much a . . . social commentary on rural life as it is an expose of the dehumanizing effects of poverty everywhere" (Kirk 100). Chekhov focuses on class primarily as a window through which to view the human condition and especially the mistreatment of human beings by other human
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"HIPPOLYTUS" (EURIPIDES), "KING LEAR" (SHAKESPEARE) & "'TIS PITY SHE'S A WHORE" (JOHN FORD).
Term Paper ID:24873
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Essay Subject:
Compares treatments of themes of illegitimacy & incest in three plays, focusing on [Hippolytus].... More...
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13 Pages / 2925 Words
3 sources, 19 Citations,
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$52.00
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Paper Abstract: Compares treatments of themes of illegitimacy & incest in three plays, focusing on [Hippolytus].
Paper Introduction: This study will explore the themes ofillegitimacy/legitimacy and incest in three plays, Euripides's Hippolytus, Shakespeare's King Lear, and John Ford's 'Tis Pity She's a Whore. The study will focus on Hippolytus and the several illegitimate children in that play, followed by comparisons of that play with the latter two. The argument of the study will be that the issues of illegitimacy and incest have more to do with love rather than sex, or even with morality, and, therefore, investigation of those issues will focus on the roles which illegitimacy and incest play in the expression of love and in the obstacles to love.
Hippolytus is the illegitimate son of Theseus, but an obsessively virtuous man who incurs the wrath of Aphrodite because of his rejection of her and his alliance with Artemis, a
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MEYERHOLD, VSEVOLOD.
Term Paper ID:24838
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Essay Subject:
Life, career, theories, politics of early 20th Cent. Russian theatrical innovator.... More...
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13 Pages / 2925 Words
12 sources, 26 Citations,
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$52.00
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Paper Abstract: Life, career, theories, politics of early 20th Cent. Russian theatrical innovator.
Paper Introduction: The purpose of this research is to examine the life and work of Vsevolod Meyerhold. The plan of the research will be to set forth a general outline of Meyerhold's position as a master of twentieth-century Russian theatre, and then to discuss the milestones of his creative path, with a view toward clarifying why one acknowledged as a refined aesthete and sophisticated artist should have accepted and indeed glorified the Bolshevik Revolution.
The role of V.E. Meyerhold in helping to refine modern stage theory and praxis is widely acknowledged. Indeed, from the earliest phases of his career, Meyerhold appears to have been a self-conscious innovator whose theory of the stage encompassed dramatic forms and dramaturgy responsive to and metaphorically representative of dimensions of reality that could compress the dynam
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THEORIES OF THEATER.
Term Paper ID:24445
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Essay Subject:
Overview of dramatic writing & critical theory from classical to modern era. Ideas & art of Aristotle, Sophocles, Pierre Corneille, Goethe, Hegel, Shakespeare.... More...
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10 Pages / 2250 Words
13 sources, 24 Citations,
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Paper Abstract: Overview of dramatic writing & critical theory from classical to modern era. Ideas & art of Aristotle, Sophocles, Pierre Corneille, Goethe, Hegel, Shakespeare.
Paper Introduction: The purpose of this research is to examine theatre and drama as forces that attempt to present, explain, or comment by means of artistic forms on human experience in historical and cultural context. The plan of the research will be to show how this force has functioned as dramatic art, as symbolic form and as material for and of aesthetic and social commentary, from the classical to the modern period, with a view toward understanding how the operations of drama and theatre interpenetrate and/or affect the shape of shared belief and experience.
Undoubtedly, the Poetics is the first great and systematic articulation of dramatic theory, so important to subsequent dramatic theory that it is almost a given or a postulate whence virtually all succeeding Western aesthetics proceeds. Or to paraphrase what Whitehead famously says of Plato, one could say that
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"ELECTRA" (SOPHOCLES).
Term Paper ID:24257
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Essay Subject:
Feminist critique of Clytemnestra, Electra's evil mother.... More...
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8 Pages / 1800 Words
6 sources, 8 Citations,
MLA Format
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Paper Abstract: Feminist critique of Clytemnestra, Electra's evil mother.
Paper Introduction: The figure of Clytemnestra in Sophocles' tragic play Electra seems ready-made for a feminist critique, or for a critique from any school which seeks to advance a cause based on morality or integrity. Clytemnestra appears to embody every human sin, every human weakness, every human evil imaginable. As Meyer Reinhold writes, "Clytemnestra's character has been completely blackened by Sophocles in this play" (57). Reinhold adds that Clytemnestra is "delineated as completely evil" (59). Clytemnestra has taken part in the murder of her husband Agamemnon, has married Aegisthus, the other murdering conspirator, has mocked and made life hell for her daughter Electra because Electra will not let her mother forget her horrible crimes, and shows nothing but delight when she is tricked into believing that her son Orestes is dead. Clytemnestra believes that Orestes was the last real
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"HAMLET" (WILLIAM SHAKESPEARE) & "OEDIPUS REX" (SOPHOCLES).
Term Paper ID:24138
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Essay Subject:
Compares methods of detective work of plays' protagonists in seeking killers of their fathers.... More...
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5 Pages / 1125 Words
6 sources, 8 Citations,
MLA Format
$20.00
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Paper Abstract: Compares methods of detective work of plays' protagonists in seeking killers of their fathers.
Paper Introduction: This study will compare the methods of the detective work of the protagonists in Shakespeare's Hamlet Sophocles' Oedipus Rex as they seek to discover the killers of their fathers (although Oedipus does not know the murdered man was, in fact, his father). The study will focus on three points of comparison: the nature and causes of the delays in the detective work of Hamlet and Oedipus; the surreptitious and indirect nature of Hamlet's methods, compared to the public and direct approach of Oedipus; and the focus of Hamlet in the present compared to the focus of Oedipus in the past. All of these points of comparison and contrast are shaped by the fact that Hamlet is fully aware of the object of his detective work (his murderer uncle Claudius), while Oedipus does not know that the object of his search is Oedipus himself.
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"A DOLL'S HOUSE" (HENRIK IBSEN).
Term Paper ID:23871
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Essay Subject:
Play's views on marriage, sexism, gender roles, individuality.... More...
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6 Pages / 1350 Words
6 sources, 29 Citations,
MLA Format
$24.00
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Paper Abstract: Play's views on marriage, sexism, gender roles, individuality.
Paper Introduction: The View of Marriage in Henrik Ibsen's A Doll's House
In his analysis of the plays of Henrik Ibsen, Janrek Lavrin asserts that the plays A Doll's House and Ghosts made Henrik Ibsen famous and notorious all over Europe (Lavrin 77). The primary uproar over the plays centered around what was viewed as Ibsen's attack on marriage. Lavrin argues, however, that the problems Ibsen was attempting to address in A Doll's House were not the problems caused by marriage in general but rather the problems caused by modern marriage (77).
Ibsen's initial idea behind the play that eventually became A Doll's House was for a central female character whose dramatic dilemma would arise from the disparity between her innate sense of right and society's laws (Saari 41). He was primarily concerned with the conflict between what he saw to be two kinds
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SEX & POLITICS IN FOUR PLAYS.
Term Paper ID:23221
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Essay Subject:
Examines relationships based on power & control in Arthur Miller's [The Crucible], Amiri Baraka's [The Dutchman], Caryl Churchill's [Vinegar Tom] & David Henry Hwang's [M. Butterfly].... More...
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6 Pages / 1350 Words
4 sources, 9 Citations,
MLA Format
$24.00
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Paper Abstract: Examines relationships based on power & control in Arthur Miller's [The Crucible], Amiri Baraka's [The Dutchman], Caryl Churchill's [Vinegar Tom] & David Henry Hwang's [M. Butterfly].
Paper Introduction: Politics and Sex in the Theater
The word "political" implies the operation of things relating to the government. "The Crucible," "The Dutchman," "Vinegar Tom," and "M. Butterfly" all explore Western society's view and treatment of sex and the ways in which the Western shame of things sexual becomes transformed into political misconceptions and persecution. Three of the plays address the way white Western men use sex to satisfy themselves and create an image of themselves that grants them power. Necessarily, men's use of sex requires the use of women as sexual objects. In the fourth play discussed, "The Dutchman," the playwright address the political ramifications of sexual interplay between blacks and whites.
However, these plays also demonstrate that for the
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